Grappa – the Cinderella Spirit
(June 4, 2008)
There should be a statue erected in Bassano del Grappa to that
frugal-minded peasant farmer in the Middle Ages. This unknown benefactor
must have hated the idea of throwing out the pressed skins, pits
and stalks of the grapes from which he had fermented his wine. Instead
of tossing the residue on his vineyard as fertilizer, he fermented
this "pomace" and then distilled the resulting low-alcohol
wine to make a spirit. What he ended up with would probably be capable
of propelling a Sherman tank today. But this medieval farmer had
unwittingly stumbled on the Philosopher's Stone – the secret of
turning garbage into gold. He had invented grappa, a drink that
would provide him and his compatriots with internal central heating
through the cold winters of northern Italy.
Now
grappa, the spirit that Italians use to beef up their coffee (they
call "correcting" the coffee), is not a taste that is
universally enjoyed. It does not have the cachet of Cognac, Armagnac
or Single Malt Whisky. Yet, at its best it can be a refined and
elegant after-dinner drink that helps you to digest a big meal.
Up until the 1960s grappa had a plebian image – the drink of the
working class who could not afford whisky. The illustrious Italian
writer Italo Calvino once referred to grappa in print as "suitable
only for defrocked priests, unemployed bookkeepers and husbands
that have been cuckolded."
Then a curious thing happened. In 1973 a company called Nonino
in the town of Percoto, 75 miles north east of Venice, distilled
the pomace of Friuli's most expensive grape, Picolit, by itself,
instead of mixing it with the detritus of other grape varieties.
(Picolit, incidentally, is the region's most celebrated dessert
wine, commanding a hefty price.) Instead of using a continuous still
process, the late Benito Nonino employed a series of copper pot
stills – the same as they use in Cognac. This enabled him to stop
the process and discard the "heads" and "tails"
of the distillate and keep only the "heart," thus eliminating
the congeners that give off-flavours. The result was a stunning
eau-de-vie-like spirit that had a refined perfume bouquet and flavour.
Benito and his wife, Giannola, went on the produce grappas for various
grapes types, each with the subtle nuances and character of the
original variety. They had hand-blown bottles closed with silver
tops made especially for them that would not have been out of place
on a perfume counter. And it didn't hurt when it came to marketing
their products that Giannola, a handsome woman herself, had three
lovely daughters.
The Nonino company dates back to 1897. A year later the Poli distillery
was founded in Schiavon – not far from the unofficial capital of
grappa, Bassano del Grappa at the foot of Mt. Grappa (only the Italians
would name a mountain after an alcoholic beverage). The pride of
Bassano is the Ponte Vecchio – an exquisite covered wood bridge
across the River Brenta, originally constructed in 1569 to a design
by Palladio then destroyed in 1748 and rebuilt three years later
to the same design. As you cross this bridge you come face-to-face
with the entrance to the Poli Grappa Museum.
Sandro Bottega
The convention now, it seems, is for grappa to be bottled in beautifully
designed glass containers; and nowhere is this more evident than
in the product range of the world's largest grappa producer, Distilleria
Bottega. This operation is located in the mellifluously named village
of Bibano di Godegna di Sant'Urbano. The distillery is located 25
miles from Venice on a 19th-century farmstead. At the entrance to
the property is a stand of two-hundred-year-old mulberry trees that
used to support a silkworm operation. Formerly a convent and then
occupied by the Germans in World War II, it is now a flourishing
business with a 20,000-square-foot warehouse and a separate distilling
facility. Sandro Bottega's father, Aldo, bought the property in
2004 and replaced the grain fields with vines. Today the company
produces 6 million bottles a year, over half of which are grappa,
the rest Prosecco and wines and olive oil from Umbria.
Bottega says his company has 70 per cent of the global grappa market.
In total he produces some 45 products. Included in these is an extraordinary
collection called Alexander Aqua di Vita, all of whose bottles were
designed by Sandro Bottega. The prototype of each bottle is housed
in a modern museum on the property.
In order to control the packaging of his products, Bottega bought
into a Venetian glass factory where they hand-blow the intricate
shapes he designed. When I visited the factory I watched the blowers
create flowers, aeroplanes, snails and Viking ships that they fixed
inside the grappa bottles. I even had the opportunity to "blow"
a bunch of grapes that would be become a champagne-glass-sized grappa
bottle with a stem. The raw material – a glass rod – is heated to
red hot and placed in a mold, and then you have to blow your lungs
out.
Bottega bottles
To make one litre of grappa it takes 10 kilos of grape skins, 8
kilos if it's a sugar-rich pomace like Amarone. Once distilled,
the pomace is used as fuel for the furnace to create the steam necessary
for the process. Sandro Bottega's research team is currently working
on a method of putting resveratrol extracted from the grape pomace
into his grappas. Resveratrol is the beneficial compound in the
skins of black grapes that acts as a scrubbing agent in your veins
and arteries, washing away the low-density lipoproteins (the bad
part of cholesterol) that can accumulate, block blood flow and cause
heart disease.
When it comes to tasting grappa, unlike wine, you don't swirl the
glass. The reason is that the evaporating alcohol as it rises can
anaesthetize your nose. Grappa can be as high as 60 per cent alcohol.
When Sandro Bottega is tasting grappa seriously he drinks milk between
each sample. Together we sampled a range of grappas that included
ten single varieties followed by a series of grappas that had been
aged in oak barrels and ending with some liqueur grappas.
Grappas from single grape varieties:
Falanghina – spicy, white pepper
Greco di Tufo – round, touch of chocolate sweetness
Prosecco – light and fruity
Sauvignon Blanc – floral, clove
Nero d'Avola – light, fragrant, perfumed
Cabernet – apple
Nebbiolo da Barolo – floral
Brunello di Montalcino – spicy
Amarone – raisiny, sweet tobacco
Amarone at 60% – hefty, woody, minty
Wood-aged grappas:
Cabernet-Merlot (Hungarian oak) – spicy, oaky
Grappa Sandro Bottega Fumé (Prosecco) – spicy, tealeaf
Grappa Maestri (Prosecco di Cartizze) – sweet, spicy nutmeg, clove,
mellow
Grappa Sandra Bottega Fumé 80% alc. Prosecco (unfiltered) – oaky,
vanilla, toasty
Liqueur grappas:
Limone & Grappa – intense lemon with honey
Coco & Grappa – coconut cream with licorice and cinnamon
Cannella & Grappa Bottega – intense clove
Marron Glacé Bottega – chocolate and roast chestnut
Fior di Latte Bottega – vanilla, white chocolate, rich
Gianduia Bottega – chocolate, hazel nut
Sandro Bottega has even designed a perfume spray bottle so that
you can spritz a Martini, "correct" your espresso or flavour
the end of your cigar. There is no end to its uses, it seems. A
far cry from the white lightning that used to be grappa.
Article by Tony Aspler
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